Zero Escape: Zero Time Dilemma

Chime - 2016 - Vita/3DS/PC

At last we finally have the conclusion to the Zero Escape series after it appeared for a couple years that this game wouldn't get funding due to relative poor sales of the previous two games in the series. Although I'd have to admit all games in the series are pretty flawed in one way or another, I'd still recommend giving these a look if you're down for a pretty well written mystery/thriller with an unmistakably Japanese flavor. So before we go any further, know that THIS REVIEW WILL CONTAIN LIGHT SPOILERS FOR 999 AND VIRTUE'S LAST REWARD because I have no idea how to discuss this series' convoluted plot otherwise

Zero Time Dilemma begins in December of 2028 at the Dcom facility in Nevada and takes place after the events of 999, but before the events of Virtue's Last Reward. Sigma and Phi have traveled back in time and joined what is known as "The Dcom experiment" in order to prevent the outbreak of the Radical-6 virus which has killed most of Earth's population in the future. They are joined by Junpei and Akane from 999 who have been tracking the movements of a terrorist organization known as "Free the Soul" whose objectives also include destroying humanity. They are joined by heroic firefighter Carlos, sad sack Eric, seductive Mira, a somehow familiar looking girl named Diana, and a young boy boy has no memory and wears a strange capsule on his head. As part of the Dcom experiment, the group of them are (of course) locked in a facility and forced to play a deadly "decision game". The group is forced to split into 3 teams and told that at any point if 6 people are dead, the remaining survivors will be allowed to escape. Additionally, every 90 minutes a drug from the participants bracelets is injected which puts them to sleep and wipes their short term memories. Pretty crazy stuff

The story of Zero Time Dilemma is told in 90 minute "fragments" where you choose what team you'd like to follow and watch what events play out over the next 90 minutes. Only you initially have no idea where those 90 minutes fit into the grand timeline of the game. Sometimes you'll start a fragment and half of the group will be already dead and you'll have no idea why. I actually found this approach to storytelling a little annoying and hard to follow as I never knew where in the timeline I was and near the end I couldn't keep track of all the reveals of who was dead and who was alive and why.

After 999's static images and fixed camera, Virtue's Last Reward introduced voice acting and full 3d models with moderately successful results. Zero Time Dilemma takes it even farther with a much more distinctly cinematic approach to portraying its story. Zero Time Dilemma uses much more camera panning and animations during cutscenes. This is a slightly less successful transition unfortunately. It was pretty clear that the animation team was either rushed or not very experienced. Animations are jerky and forced and the lip sync is pretty questionable. It personally didn't bother me too much, but it was certainly notable and I know a lot of people will find the stiff animations a distracting drawback

I thought the puzzles in Zero Time Dilemma were some of the best of the series. They were varied, interesting and had me pulling out actual pen and paper to work through problems. Depending on the order of the fragments you play, the pacing of the puzzle rooms can be a little weird though. In my experience, I had tons of puzzle rooms in the beginning and middle of the game, but almost none near the end which made playing through the end of the game more like watching a movie. Speaking of the end... it was kind of a let down. Without discussing any spoilers, the ending was sort of plain and disappointing which was a surprise in of itself since 999 and Virtue's Last Reward had such huge reveals and shocking twists. Ahh well, it was still nice to finally have some sort of closure for this series.

Summary

Regardless of what the marketing of this game wants you to believe, you can't play it without playing the first two games first. Or at least you shouldn't. Start there first or else you'll likely be massively confused. For veterans of the series, this game will offer some closure for the story, albeit a slightly disappointing one. I still must admit I enjoyed this game a lot as it features some of the strongest puzzle rooms in the series. The Zero Time Dilemma journey is much more enjoyable than the destination, and the journey is worth it.

Digital: A Love Story

Christine Love - 2010 - PC

Aaaaand we're back after a nice two month break. Strange to think that this is pretty much the first extended break I've taken from this since starting writing games reviews and criticism since like 2013. This week I want to talk about Christine Love's Digital: A Love Story. Yes, it's another visual novel. I know I've posted several of these recently, but if you're not into visual novels, check back soon for more reviews of "real games". But you should know that there will be a review up in the next few months for Zero Time Dilemma which is another visual novel and a game that I am highly anticipating since it will finally resolve the cliffhanger ending of Virtue's Last Reward. Anyway, back to being on topic...

Digital: A Love Story is developer/writer Christine Love's first successful game. It started picking up traction and gaining attention after being released on the internet for free in 2010. Digital is a mystery/romance story set in the late 80s where you, the player character, purchase a PC and connect it to the internet for the first time. The game can kind of be considered a desktop simulator as the entirety of the story is communicated to you by logging in to early era electronic bulletin board systems and reading message posts. The game clearly has a nostalgia for this early era of the internet and wants you to feel that nostalgia too as it plays the entirety of the old dial-up modem sound while you wait for your computer to connect to the message board. It even has you type out the entire phone number for your modem and makes you keep track of your logins and names of different bulletin boards. 

One of the most interesting creative choices Digital makes is that you only see the messages and replies of other people, but never what your character types. It's a neat way of engaging the player and your creativity when you read a response message and then try to infer what your character must have typed. In order to keep up with the story, you also need to pay close attention to the names of the people you're chatting with in various message board forums and any information they give you as you may need this to progress further in the game. Thankfully, the game keeps an archive of all messages you received so you can go back and re-read any important information if you find yourself stuck. And you WILL find yourself stuff in this game, which I feel was one of my biggest frustrations with Digital. It's an interesting story and I felt the pacing kept being slowed by repeated nostalgia trips which eventually become annoyances when listening to the modem connecting sound effect and typing out usernames and passwords to various forums over and over. The peak of my annoyance with this weird pacing came when I downloaded a virus in the game that obscured the text on my screen and made it nearly impossible to tell what I was doing. I couldn't really tell what the point of this part of the game was, it really just seemed like Digital was getting in the way of itself

Summary

Digital is a quirky visual novel with a lot of nostalgia for the late 80s. It has some self imposed pacing issues in an otherwise interesting and and novel form of story presentation. I'm not sure if this game really has a good soundtrack, but "Paper Dolls" is one of the most catchy tunes you will hear in a video game. I'm not even sure where this plays in game. Anyway, your mileage with Digital will likely depend on whether you find this game's constant throwbacks to the technology of the late 80s charming or tedious. I think I fall into the latter camp, but this is still worth a look if visual novels are your thing

You can download Digital: A Love Story for free here

Thirty Flights of Loving

Blendo Games - 2012 - PC

I just finished Thirty Flights of Loving and I'm not sure what I just played. I do know that it's a roughly 10-15 minute experience telling a story about spies... carrying out a heist? ...I think? What I do know is that it was created by Brendon Chung, the one-man team behind Blendo Games who is also responsible for Flotilla, Atom Zombie Smasher and the upcoming Quadrilateral Cowboy. Thirty Flights of Loving (TFOL) was created as part of a Kickstarter campaign to support the Idle Thumbs podcast, of which I am a frequent listener. According to Chung, TFOL was an excercise in creating a game that tells a story without any dialogue. TFOL is certinaly a realization of that concept, but I don't think it's very successful in telling a clear and understandable story

Part of the problem here is that in order to get the whole picture of what's going on in TFOL, you had to have played some of Chung's previous games. TFOL opens by announcing that it's the sequel to a game called Gravity Bone, which is jarring to anyone (myself included) who wasn't aware of Gravity Bone and was expecting TFOL to be a standalone experience. I found TFOL to be a pretty hard and confusing game to parse through. Part of it is the lack of any dialogue, part of it is the smash cuts and non-linear presentation of the story, and part of it is the expectation that the audience has also played Gravity Bone. By doing a bit of research and also watching an excellent video by Errant Signal, I was able to find out that Gravity Bone is part of Chung's long running series of games called "Citizen Abel". Now I'm not sure if playing all of the other Citizen Abel games helps TFOL make more sense, but that's a lot to expect your audience to do espiecially considering some of the older Citizen Abel games are Quake II and Half Life II mods. And if having played those games doesn't contribute anything to the understanding of TFOL, why brand it as the sequel to Gravity Bone? I acknowledge that some my confusion with the story may be my own fault for not having played the other games, but this was one of several nits I had to pick with this game.

As I mentioned earlier, the story in TFOL is told non-linearly and without any dialogue at all. As you might guess, it makes the story a bit hard to follow. Even though I played through the game twice to try to piece it together, I still can't come up with a reading on this game that isn't jumbled nonsense. I'd love to hear someone else's interpretation of the story though, if someone can actually manage to follow it and come up with an understanding.

Summary

I'm all for smaller games made for a specific audience, so I feel bad picking on the little guy here. Nevertheless, I found TFOL to be a short and confusing experiment in weird and nonsensical storytelling. I've now written quite a few words about a game that has none.

Danganronpa: Trigger Happy Havoc

 Spike Chunsoft - 2010 - iOS/Android/Vita/PSP/PC

Danganronpa: Trigger Happy Havoc is a visual novel style game with elements of the Phoenix Wright: Ace Attorney games. I was turned on to Danganronpa after it released on Steam and I saw it was developed by Spike Chunsoft who was also responsible for 999 and Virtue's Last Reward, both of which I'm quite fond of despite their respective flaws. Even though Danganronpa and the Zero Escape games do not share the same writing talent, they do all feature Japanese anime styled characters and have similar-ish themes.

In Danganronpa, you play as Makoto Naegi - an average student who was nevertheless accepted to an elite high school academy that only admits students considered to be the best at what they do. During his first day of school, Makoto blacks out and when he comes to he finds that he is one of several students that are trapped in the high school. All the exit doors have been barred and the windows sealed. The high school is deserted with the exception of the students and a creepy remote-controlled teddy bear who calls himself Monokuma. Monokuma tells the students that the only way to escape the high school is by killing another student without getting caught. As the days go by, various murders eventually take place and it's up to you as Makoto to gather the evidence and solve each crime

After investigating a murder scene and gathering evidence, a "class trial" takes place where the facts of the case are deliberated. Here, you'll often need to catch other students either misstating a fact or outright lying and support your cause with pieces of evidence from the case that contradict what a classmate is saying. This is where Danganronpa is most game-y and most separates itself from being just a pure visual novel. It's also where I feel this game is at its worst. The evidence puzzles seem to usually fall into one of two categories. Either the puzzle is so painfully obvious that it feels unsatisfying to solve or the puzzle is so contrived and obscure that you have to trial and error your way into the game's very specific line of thinking. The latter is particularly frustrating when the game tries to railroad you down one particular line of thinking when other possibilities seemed just as plausible to me. There are also weird rhythm game sections during the class trial that feel weak and forced. I appreciate that the game was trying to break the monotony of just reading text forever, but I often found these sections to be more frustrating than exciting

The strength of Danganronpa lies with its storytelling. It's probably unfair to compare this with the Zero Escape games even if it's the same developer, it's a different writer, but I'm going to do so anyway. I felt Danganronpa had a pretty good cast of well written characters - probably a stronger cast than any of the Zero Escape games. If you like wacky high school anime characters, Danganronpa is your game. But I found the mystery of each murder and the overall mystery of the high school much less compelling than anything written in the Zero Escape games. The Zero Escape games had me on the edge of my seat trying to figure out "whodunnit" and how it was possible and the revelation of those mysteries was always mind-blowing. Danganronpa's murders seemed a little too random and contrived. The revelation of its mysteries was always weird and wacky, but in a way that was often too unbelievable.

Summary
Danganronpa was fairly solid - good enough for me to await the release of its sequel on Steam. But I can't recommend this game without a caveat. It's still probably unfair of me to compare Danganronpa to another game not even in the same series or by the same writer, but I feel these games are similar enough to warrant me doing so: If you haven't played 999, do that first. If you have, then know that Danganronpa sacrifices a focus on a compelling and well thought out mystery in favor of more character focused moments full of anime melodrama and silliness.

Firewatch

Campo Santo - 2016 - PC/PS4

Firewatch is a game made, in part, by some of the awesome folks over at the Idle Thumbs network who host a bunch of gaming podcasts that I frequently listen to. So being somewhat familiar with some of the folks who made this game had be very excited to see this game released. Director Jake Rodkin and writer Sean Vanaman previously worked at Telltale on The Walking Dead game, so that's the kind of high caliber writing I was expecting from Firewatch. And it delivers - kind of. Firewatch is a narrative heavy exploration game where you the player character take a summer job as a park ranger to escape and diconnect from your own life for a while.

For most intents and purposes, Firewatch is another Walking Simulator, except for when choosing dialogue responses when talking to Deliliah, a fellow park ranger who keeps in contact with you via radio. The dialogue interactions between Henry, the player character, and Delilah are very well written, charming and geniuine in a way that sells the evolution of the relationship between two middle aged people who don't know each other and whose relationship grows only through conversations over a radio. Picking up or looking at certain objects in the game will sometimes generate a prompt to question Delilah about what you're looking at which can be informative or humorous or reveal aspects of Henry or Delilah's characters. Firewatch can hit a range of emotions from quiet and metitative to tense and suspenseful. It's a game that has you pondering events of the plot, or mulling over things Deliliah is saying all while exploring the wilderness.

The excellent characters and writing had me hooked and this seemed like it would be a game I would fall in love with up until I got to the ending. The ending to the game comes rather abruptly and leaves a lot of plot threads unaddressed or explained unsatisfactorily. It appears as though Campo Santo ran out of time during development and possibly weren't able to include some of the content that would have neatly wrapped up these story threads. But as it stands, these threads don't end up connecting or leading anywhere and the ending of the game feels abrupt and unsatisfying. Still, the first two thirds of the game are engaging and well written, so if you're up for a walk in the woods that you know won't take you anywhere, check out Firewatch

The Legend of Zelda: The Wind Waker

Nintendo - 2002 - GameCube/WiiU

See also my Top 10 Zelda Games

Happy new year! I hope everyone had a fun and safe holiday break. If you haven't done so already, you can check out my best games I played in 2015 list right here. You may also be interested in my top 10 Zelda games list or my top 10 Star Wars games lists as well. Anyway, on with the review

When replaying The Wind Waker recently, it really struck me how well this game has aged. I think this game could literally come out tomorrow and it would have an amazing reception, despite the fact that this game is nearly 15 years old. Now I wasn't playing the HD remake on WiiU either, I'm talking about the original on GameCube. The cell shaded graphics which had a mixed reception on release now blend right in with the modern "toon" style graphics popularized by recent indie titles. This graphic style also allows for what I believe is the most expressive and emotive iteration of Link in any Zelda title. I love seeing the suspicion or anger or happiness that was so clearly readable on Link's face.

The Wind Waker finds Link exploring the open seas on a small sailboat in a very vast and open game world. The Wind Waker especially excels at the same thing a lot of the other Zelda titles do well which is immersive world building. The Wind Waker's world feels immersive and real because the characters and events in the world are well written enough to make it feel that way. There's a part of the game not too far into Wind Waker where Link needs to crawl through a maze of tunnels underneath Windfall Island. There's nothing in the main storyline of the game that will specifically or directly prompt you to crawl through these tunnels, this is just a hidden optional side quest. Once you reach the end of the tunnels, you'll find a treasure chest with a pictograph box which is an item that kicks off several more sidequests, but what struck me about the pictograph quest was the inclusion of some readable text next to the treasure chest where you find the pictograph box. The text explains that there was a thief who was imprisoned presumably for stealing the pictograph box, and who dug a series of tunnels below Windfall Island in an attempt to find a way to escape the prison cell. This was pretty cool to me, and a neat example of the high quality of writing and world building on display in the Wind Waker. The game could have just made you crawl through a maze and then simply given you the pictograph box, but the fact that they included this little story behind it that justifies the level design in a believable way adds some realism and fidelity to the world in the Wind Waker

Wind Waker Video Review

Summary
The game is also not without its faults. I think the stealth section that occurs near the beginning of the game is really tedious, too long and one of the weakest points of the game. I can remember having a poor first impression of this game and thinking on my first playthrough how dull this stealth part of the game was. And then right after introducing stealth to you, the game promptly drops it and never revisits it for the rest of the game. Plus there's a few too many mandatory fetch quests with a repetitive and boring sailing sections near the end of the game (which was I think partially remedied in the HD WiiU version). But even with its faults, the Wind Waker is one of the strongest Zelda titles out there, and a perfect place to start if you've never played a game in this series before.

Undertale

Toby Fox - 2015 - PC

I like the Mother series well enough. I actually preferred Mother 3 over Mother 2 (a.k.a. Earthbound in the U.S.). Both of those games construct a fun and wacky world populated with lovably silly enemies but despite the goofy nature of their settings, they still both manage to pull off well written characters in an emotionally charged story. Underneath the layers of American culture parody and just general wackiness, there's still direct messages from the game's authors commenting on human life and friendships and other similar topics. Experiencing the wackiness and interesting stories of those games was my favorite thing about them. My least favorite part was the combat. Aside from the often humorous in-battle text, these games featured pretty standard and simple RPG combat systems. Mother 3 tried to mix this up a bit by awarding players bonus damage for attacking with the rhythm of the music (think Crypt of the Necrodancer), but I still didn't really find the combat system that interesting. Especially with the amount of grinding that these games practically require you to do before being able to advance to the next area. It felt like the combat was getting in the way of the excellent story, rather than complimenting it.

So now fast forward 10 years from Mother 3 to Toby Fox's Undertale which strongly evokes the Mother series visually, musically, thematically, and even directly at some points in the game. Like the Mother games, you play as a young kid wearing a striped shirt exploring a weird and dangerous world filled with wacky monsters. Thankfully, one of the big deviations from the Mother games is the unique combat system found in Undertale. Undertale's combat presents the player with an interesting twist which is that you actually don't have to kill any of the monsters in the game. If you choose to fight monsters, you'll be faced with a timing mechanic similar to something you might find in one of the Paper Mario games. But an alternative to fighting is using the "act" menu which allows you to talk to or interact with the monsters to finish the encounter without killing them. This usually plays out as a bit of a puzzle where you meed figure out the right combination of actions to pacify the enemy. Regardless of which of these two actions you choose, you'll be faced with a "bullet hell"-like system when you defend and the monster attacks. Different monsters have different attack patterns, so memorizing how to dodge them is it's own fun mini-game

Also created by Toby Fox, Undertale's soundtrack is an absolute delight. It's a mix of chiptunes, synths and the occasional live instrument and echoes various other RPG soundtracks from Final Fantasy to Earthbound. My favorites are Ruins which sounds like it could fit in any RPG ever, Another Medium which at times sounds like it's trying to evoke Thousand Year Door's X-Naut Fortress, Snowy, which perfectly sets the mood for walking through a winter forest, CORE which is a rockin' electronic dance tune, Death by Glamour which is a variation on the aforementioned CORE track, and ASGORE which sounds like appropriate epic RPG final boss music. For more examples of what I believe to be music references to other games, listen to Dummy! (which I believe to be an "Off" reference) Alphys' Theme (which I believe to be another Paper Mario reference), Amalgam (which sounds very Earthbound-y to me) and Oh! One True Love (which is undoubtedly a reference to Final Fantasy VI's opera scene). The whole soundtrack is really, really solid and I fell in love with it almost instantly

As neat as the combat is an even as lovingly crafted as the soundtrack is, the real star of Undertale is the story. The characters are very memorable and endearing and the quality of writing here is top notch. The way Undertale builds expectation and then throws you a twist just when you think you've got things figured out is masterful. It's rare when games can make me laugh, and I usually count it as a success if a game can tell a joke and even get me to crack a smile. Undertale had me laughing out loud on several occasions. It handles the serious, somber, relaxing, strange and horrifying moments in the story just as well as the humor. It's so rare when a game can hit all these narrative notes as well as Undertale.

Undertale Video Review

Summary
Undertale is one of the best and RPGs I've played in years. I found it to be not only an homage to, but an evolution and improvement on blueprint established by the Mother series. It's not a systematically deep RPG with layers of strategy or anything like that. But what it does do is use game systems to tell a well written story with endearing characters full of memorable moments. It also has a soundtrack that leaves a lasting impact almost as big as its characters. Undertale's unique battle system keeps players engaged dodging various projectiles in a bullet-hell like frenzy on defense while giving the player an option of a timing based fighting system, or a non-violent puzzle to resolve combat. Depending on your actions in battle, Undertale adapts acknowledges your actions in the story as well, which gives real weight to the decisions you make in the game. It's such a smart game and I enjoyed every second I played of it. I finished my first playthough in one sitting and am currently halfway through a second. I'll likely play through this a third time as well since there's just so many cool easter eggs and little things to learn about the game's story that you inevitably miss in one single playthrough. All fans of RPGs and good storytelling need to play this game. This was one of my absolute favorites of 2015 so far this year.

The Beginner's Guide

Davey Wreden (Everything Unlimited Ltd.) - 2015 - PC

Davey Wreden, who co-created The Stanley Parable, a game which I absolutely adored for its smart deconstruction and examination of game design, has a new game out. His new game, The Beginner's Guide, seems very similar to The Stanley Parable at first glace. Both fall under the sometimes derogatory genre of "walking simulator". Both begin by dropping the player in a foreign environment with little or no context or introductory story elements. And both have a narrator who serves as the main storyteller and provides some context to what you're doing in the game. And that's about where the similarities end. Players who enjoyed The Stanley Parable's quirky sense of humor should know that The Beginner's Guide has a very different tone and there's not many jokes or things that will make you laugh in the game. It's a more serious and thought provoking experience that invites its players to think analytically not only about the games they play, but the creators that make the games they play. 

The Beginner's Guide begins on a custom Counterstrike map where Davey Wreden, the game's creator, introduces himself as the narrator. He explains that the custom Counterstrike map, and every level other and short game that appears in The Beginner's Guide were all created by a developer named CODA who retired a few years ago from making games. Wreden, who claims he was influenced and inspired by CODA's work has complied many of his short games together into one mega-game - The Beginner's Guide - and has shared them on the internet in order to pique interest in CODA's work and hopefully coax him back into making games.

CODA's levels and games start simple, beginning with a basic custom Counterstrike map and then progress to more thematically complex games that explore conveying emotion through level design and dialogue with NPCs. Wreden accompanies your exploration with narrative commenting on the level design, CODA's design intentions and development process and also continuously elaborates on the nature of the relationship between CODA and himself. The Beginner's Guide is a fascinating game to play if you have any interest at all in game design and it really gets you to think a lot about the design process and the fact that developers themselves are human beings and how their emotional state can affect a game's design and also vice versa. 

The Beginner's Guide Video Review

Summary

The Beginner's Guide is a solid follow-up to The Stanley Parable. Although it's tonally and thematically different, it's still just as interesting as The Stanley Parable and I found it to be even more thought provoking. Check this out if you want to experience a more "mature" version of the Stanley Parable, or to see some really neat level design and emotional storytelling

Final Fantasy IX

Squaresoft - 2000 - PS1

(On my Top 10 Favorite Games list)

(On my Top 10 Game Soundtracks list)

See Also My Top 10 Final Fantasy Games List

After the more modern/sci-fi settings used in FF 6-8, Final Fantasy IX is a return to the series roots. It takes place in the world of Gaia, a world full of knights, mages, magic, and other traditional high fantasy. The story initially follows Zidane, who is a member of a band of thieves who is charged with kidnapping the princess Garnet of Alexandria kingdom. In a twist, Garnet is actually looking a discreet transport from Alexandria and consents to the kidnapping as it fits her own agenda. They are joined by Vivi, a young child black mage who is also accidentally kidnapped and knight captain Steiner who is Garnet's royal bodyguard and is loyal to his kingdom to a fault. The four are eventually joined by other party members and are swept up in adventure, conflict and conspiracy as tends to happen in Final Fantasy games. Also in continuing with trends in other Final Fantasy games, the plot does sort of take a dive off of the deep end at around disc 3 or so. Without getting too spoiler-y, the traditional fantasy setting does get strangely thrown out the window at some point, but the game is still worth playing if you appreciate good writing.

What sets this game apart from other Final Fantasy titles for me, aside from its setting, is its well written characters. Now those of you who have played other Final Fantasy games may be rolling your eyes at "well written characters", but I think it really applies to FFIX in a way that no other FF game before or since has achieved. The characters in FFIX aren't the flat, one-dimensional stereotypes of characters that are found in most JRPGs. There's also none of (or very little of) the angsty JRPG melodrama found in the rest of the series. The characters in FFIX are more subtle and nuanced which speaks volumes for not only the writers but the translation and localization process this game had to undergo. This game even has humor. Like legitimate, actual, intentional humor. And it works. Usually when humorous dialogue is written in a Final Fantasy game, it's facepalm material. It's funny, but for all the wrong reasons. FFIX gets it right in a way that really endears all of its characters to the player.

The battle system is... well... it's just fine. There's nothing really wrong with it. But there's also nothing really right with it either. There's nothing too broken like FFVIII, but also nothing that really sticks out and grabs your attention to make you want to keep playing just one more battle like FFVII. It's pretty straightforward and standard for a Final Fantasy game. It's pseudo turn based with the ATB introduced in previous games and your characters fit into pre-defined roles of black mage, white mage, summoner, knight, thief etc. Just about the only thing noteworthy is that all abilities you learn throughout the game are learned from using a specific weapon a certain number of times in battle. For instance, if you want to learn the "fire" spell, you have to equip Vivi with the "Fire Staff" or whatever it's called. This creates a sort of interesting dynamic where the weapons and armor you have equipped for your party may not always be the "best" speaking strictly statistically. There's also the new "limit break" system called trance, where your character becomes more powerful and gets access to new abilities, but this triggers pretty much just randomly and always seems to happen when you're in a random, easily winnable battle and never against a boss when you really need it. So yeah, the battle system is... just fine I guess.

What's way better than "just fine" and another notable reason to check out this game is another superb, phenomenal, varied and otherwise spectacular soundtrack composed by Uematsu. I think Uematsu has gone on record saying this was his favorite soundtrack he composed. It's not necessarily my favorite as a whole, but picking a favorite Uematsu soundtrack is like trying to pick a favorite burger off of the menu at Red Robin. I love them all. Standouts are the "Battle Theme", "Stirring in the Forest", "Crossing Those Hills", "Border Village Dali" and "Hunter's Chance" but the whole soundtrack is really a standout as tends to be the case with Nobou Uematsu.

Final Fantasy IX Video Review

Summary
It may not have the best battle system and the plot gets a little weird about halfway through, but FFIX is still worth checking out if you like a well written story with well defined characters. The writing and soundtrack are enough to carry you through when the battle system is being dull and the story is getting weird. This game really is pretty charming once you get invested in it and it's become one of my favorites in the Final Fantasy series and just in general

80 Days

Inkle - 2014 - Andriod/iOS

I've returned from my very first Pax Prime and it was amazing. I demoed Dark Souls 3, Final Fantasy XV, Mario Maker, Rock Band 4 and played many other indie games and met some of their developers. It was a really cool convention and I'd recommend it to anyone who's really interested in games as long as you don't mind long lines. One of the things I did to pass the time in these long lines, plane trips and other downtime was download and play a game called 80 Days.

80 Days is a game that re-imagines Jules Verne's classic 1873 novel "Around the World in 80 Days" as a choose your own adventure style video game. For those unfamiliar with the novel, the book tells the story of an Englishman named Phileas Fogg who makes a wager to the tune of 20,000 pounds that he can circumnavigate the globe in 80 days. In the game, you play the role of Phileas Fogg's valet, Passepartout, and you manage finances and make decisions on how to plot your route around the globe. The setting still takes place in the 1870s, but now everything is steampunk for some reason. It was kind of an odd creative choice to rewrite the world this way. It didn't do anything for me, but then again I've never understood the appeal of steampunk.

From a gameplay standpoint, this game is sort of like a cross between the Oregon Trail and maybe FTL, but it's more narrative focused than either of those games. It's really more of an interactive novel and it never really gets too "gamey". Most of your interaction will come through picking your character's dialogue from a few choices. It's probably the largest, most involved example of a choose your own adventure book. You can pick your destinations from a map kind of FTL style, but you have to weigh the pros and cons of each decision. Each route has a monetary cost, a time cost, and a "comfortability" cost. In addition to managing finances, you also have to keep an eye on Fogg's health which may start to decrease if you take wearisome routes, or don't stop to rest enough. You can also chat up strangers in each town which may unlock new routes or faster/cheaper routes on your map. Some conversations may even extend the narrative in a surprising way. Events in the game occur randomly as well, so each playthough is guaranteed to be different, even if you take the same routes through the same cities. This is perhaps 80 Days' most interesting feature, as it grants this game a high amount of replayability.

I can remember reading the novel in middle school, I think, and little bits and pieces of it came back to me as I was playing through the game. Most of the story is entirely new, and totally random and also based on the decisions you make, but there are lots of little winks and nods to the novel like the characters being very aware that traveling eastward with the sun vs. westward against the sun will gain them extra time (Spoiler alert for a 150 year old novel). It's a fairly well written game, which is good because there really isn't too much else about this game. The "gamey" parts of 80 Days feel somewhat ancillary to the story; they exist in more of a supporting role. The spotlight of 80 Days is on the story, not the gameplay

80 Days is a well written interactive novel, but it's a game that expects its players to draw enjoyment from its plot, so you might not care for this game if you come into it expecting a strong gameplay hook. At the very least, it's an interesting example of the concept of a choose your own adventure book taken to its absolute farthest point. I personally accomplished my journey around the globe in 68 days, easily winning Fogg's wager with ample time to spare. Check this game out if you'd like to experience your own version of Jules Verne's classic novel.

Her Story

Sam Barlow - 2015 - Mobile/PC

Her Story is a very unusual in that it's a full motion video game that was released in 2015. Don't worry, the FMV aspect of this game works really well, it's totally not cheesy and the actress in the game does a fairly decent job selling her performance. After you complete this game, it's hard to imagine Her Story not being a FMV game, I'm not sure it would have worked any other way. Her Story was made independently by Sam Barlow, who was previously the writer and designer of both Silent Hill Origins and Silent Hill Shattered Memories. This game, if you can even call it a game, shares a lot of the interesting ideas and creativity found in those Silent Hill titles

The premise of Her Story is that you are digging through a corrupted database of video interviews from a murder case in the early nineties. The database has been corrupted and fragmented, so you can't watch the interview clips in chronological order, but each video clip has been completely text transcribed, so you can search each clip by any word that occurs in the clip. So for instance, if you search "murder", all of the video clips that contain the word "murder" are returned to you. The other catch is that you can only see the first 5 results that are returned to you, so you'll quickly learn to be clever with your searches. 

The story opens up pretty quickly, giving you some names of important characters or important events to search, but the interesting thing here is that the story is presented totally non-linearly. Somehow though, through that I'm sure was many hours of playtesting and clever organization of what words occur in what clips, the story seems to unfold in just the right way, even if you watch the clips out of order. There's many cool twists and turns in the plot and figuring out whodunnit, how they did it and why they did it is really interesting and rewarding. There's no central gameplay mechanics here, only tracking the mystery in your head and coming up with terms to search then watching the video clips. So if you're looking for a gamey game, Her Story probably won't be your thing. But if you like a clever murder mystery presented in an unconventional fashion, you should totally check this game out

Her Story Video Review:

Summary

I really enjoyed Her Story, it was one of those experiences that keeps you thinking about it long after it's over. The story and its twists are clever and I enjoyed the unconventional presentation. If searching and watching video clips doesn't sound fun to you, you may want to steer clear of Her Story. But if you can let yourself get engrossed in the story and sorting out its mysteries, you'll have a fun time with this game

Final Fantasy VIII

Squaresoft - 1999 - PC/PS1

(On my Top 10 Game Soundtracks list)

See Also My Top 10 Final Fantasy Games List

Part of why I think this game gets so much hate, even from me, is that it came on the heels of Final Fantasy 7, of of the best selling and most well loved RPGs of all time. Final Fantasy 7 had a brilliant and customizable battle system, an engaging story with interesting characters and an awesome soundtrack. Final Fantasy 8 has... an awesome soundtrack, at least. To be fair, the story is pretty interesting all the way through the end of disc 1, but then things get so weird and hard to follow and major plot points are added and removed on a whim, as though the game has ADD and can't decide on what kind of story it wants to tell you. But the battle system is...oh god it's a total trainwreck.

So one of the many flaws of this game's battle system is its "junction" system. In FF8, magic spells are treated as a consumable item. Kind of a weird choice, but I don't have a problem with that necessarily. What I DO have a problem with is that spells are a consumable item AND the game allows you to "junction" them to your character to improve their stats. The better the spell, the more the stat increase. If you follow this chain of logic, you'll realize that if you have a high level spell junctioned to your character and you cast that spell, your character's stats will actually decrease. So then what's the point of casting magic? There is none in a normal playthrough, especially when you consider that your summon monsters, called GFs in this game, can be called upon to essentially cast any magic spells you'd want anyway, provided you don't mind watching a 45 second cutscene of the GF appearing EVERY FREAKIN' TIME. There's lots of odd decisions like this that slow the battles down in FF8 and make them tedious. Even the way you get magic is a chore. You can "draw" spells from an enemy, but depending on a few factors the game doesn't really explain, you'll only typically get around 3-6 spells per draw. Which means you have to sit in a battle and farm draw for quite a long time if you want to get up to the maximum of 100. But really the most broken thing about this game is when you discover you can manipulate limit breaks. Your character's chance of limit breaks are actually random in this game, another odd choice. The less health you have, the higher the chance of the limit break. But if you cycle your turn order, you can keep re-rolling the calculation that determines your limit break, essentially letting you limit break whenever you want. Totally. Broken.

Now that I'm done ranting about the battle system, on to the story (mild spoilers in this paragraph). It really does seem like it's gonna go somewhere for the first, maybe quarter or third of the game. But then we hit a point after disc 1 where the narrative has an identity crisis and starts grasping at different ideas and concepts and inserts them randomly into the story which results in a totally insane mish-mash of disconnected themes and gaping plot holes. I know Final Fantasy is a universe where characters get shot, sliced and burned in every battle, but the first huge narrative red flag is when one of the main characters is freakin' impaled through the heart with a giant icicle during a cutscene... and then is totally okay in the next scene. Like the game barely even acknowledges that it took place. Come on Final Fantasy 8! If you're not gonna take your story seriously then I can't either. 

The artwork and music are the huge redeeming factors of this game. FF8 features some of the most gorgeous hand-drawn backdrops in any RPG I've seen. And this might be controversial, but I think FF8 is Uematsu's best work. At the very least it's my favorite of his work. The relaxing "Breezy", the entrancing "Find Your Way", the mysterious "Under Her Control" and the nostalgic "Fisherman's Horizon" highlight the soundtrack. And of course "Man With the Machine Gun" does its best to keep the mindlessly tedious and broken battles from being too much of a nuisance.

Summary

This is far from the best Final Fantasy, and misses the mark on battle system design and storytelling. At best it's an average-ish RPG with a trippy story, some awesome music and inspiring artwork. Still there is something sort of intangibly alluring about playing this game. I must admit I've replayed this trainwreck at least 3 times now.

The Talos Principle

Croteam - 2014 - PC

Not to be confused with one of the Gods of Skyrim, The Talos Principle is a philosophically themed puzzle game and has nothing to do with any of the Elder Scrolls games. Released late last year (2014), The Talos Principle was made by a small European development studio based in Croatia whose only previous notable works are the Serious Sam games. Being a puzzle game, The Talos Principle is a huge departure from the FPS style of the Serious Sam games so I was expecting this title to maybe be a little rough around the edges and maybe expose the inexperience of the development team making a game in a new style, but this was not the case at all. The Talos Principle is air tight, and features some of the best puzzle design and well executed narrative I have ever experienced in a video game.

The game begins as your player character wakes up in a seemingly abandoned garden. Between the lines of computer text scrolling across the screen or the occasional glimpse of your own metallic fingers, you'll quickly realize that your player character is a robot. Your unnamed character soon begins to hear a voice in his head. The voice refers to himself as Elohim (Hebrew for God) and starts referring to you as "my child". But not really in the typical motherly/fatherly parental way; the voice refers to you as "my child" the same way a God would address his creation. The voice then guides you around the garden and asks you to solve various puzzles to obtain "sigils", which will unlock more areas of the garden which will allow you to collect more sigils

The structure of the game is broken down into solving puzzles, obtaining sigils, reading pieces of story text and then repeating the process. This structure and repetitive pacing of The Talos Principle might be the only complaint someone could have against it, unless you don't care for difficult puzzles, which this game definitely has. I've often criticized games for being too repetitive and not offering enough variety of gameplay, but I never really got that feeling from this game. Even though it was a very lengthy (about 40 hours) puzzle game, I never felt like it outstayed its welcome. There was enough variety in the puzzle rooms and with the methods used to solve the puzzles that I never got the sense that I was doing the same thing over and over. The Talos Principle felt like a longer version of Braid, but 3D and with different puzzle mechanics. It's what I'd imagine The Witness would play like, if it ever gets released. I really can't stress enough the brilliance of in the design of the puzzle rooms here. The Talos Principle introduces puzzle elements, makes sure you understand how they work, then slowly increases the difficulty and complexity of the puzzles. Some of the later puzzles required me to just stop and stare at the screen and think. I love when games can get me to do that.

The Talos Principle Video Review

Summary

I know we're still very early in 2015 and also this game came out in December 2014, but The Talos Principle will more than likely be my 2015 game of the year. I was totally blown away by the superb puzzle design and the amazing presentation of the story. There's so much about the story I didn't want to reveal here for fear of spoilers, but exploring the island and finally uncovering its secrets felt really rewarding. The Talos Principle is everything I want in a video game. I would highly recommend it to fans of puzzle games or people who enjoy excellent game design

The Legend of Zelda: Ocarina of Time

Nintendo - 1998 - N64/3DS

(On my Top 10 Favorite Games list)

See also my Top 10 Zelda Games list

I was having a discussion with a friend about which Zelda game a newcomer to the franchise should play first. Wind Waker and Twilight Princess were brought up, but Ocarina of Time wasn't even mentioned. And I wasn't really opposed to that. This game is a difficult sell to someone who has never played a Zelda title before. It's not so much that subsequent games have made massive improvements on the formula that OoT established or anything like that. But I realize that the reason I love this game is that I have SO MUCH NOSTALGIA tied up in this game. It was the first Zelda game where I got to explore the sprawling fields of Hyrule, the first Zelda game that really hooked me on its story and got me interested in its locations and characters and it was the first Zelda game I replayed over and over again obsessively. And the music! Oh man, the music. It always brings back so many memories. So either you read the last few sentences and knew exactly what I was talking about or you haven't played OoT. While I don't necessarily believe that subsequent Zeldas are "better" games, it's hard to come up with a sell for this game over other Zelda titles that isn't childhood nostalgia. But it's important to note how hugely important and impactful this game was when it came out.

This game was made in the era where 3D games were starting to come into their own. The first 3D game I played that really blew my mind was Mario 64. Those Mario worlds were fun to play and run around in, but what set the 3D worlds of OoT apart from Mario 64 were that OoT's 3D world felt "real" and lived in. It was a joy to explore. Especially with all of the detail put into the world; it made you want to explore each nook and cranny to make sure you didn't miss a hidden secret. I can distinctly remember being totally blown away by this the first time I played the game. I remember just walking around some of the villages and using the first person camera to admire all of the details.

The gameplay of OoT was revolutionary at the time and set a lot of precedents for how the rest of the 3D Zelda games would play. It sounds kind of silly now, but a lot of what we take for granted gameplay and systems wise not only in Zelda games, but 3D games in general had to be invented from scratch here. Everything from the way the puzzles worked to how the combat would function had to be converted from a 2D world to a 3D world. One of the most notable of these new 3D game systems was OoT's "Z targeting" system which governed how the camera would function in combat. By facing an enemy and pressing the Z button, the player could focus the camera on just one enemy until either the focus is switched by pressing the Z button again or the enemy is defeated. The developers did a fantastic job bringing this franchise into a 3D world

The Legend of Zelda - Ocarina of Time Video Review

Summary:
OoT is sort of a difficult sell for someone who has never played a Zelda game before, because I'd only be selling them on nostalgia. My personal recommendation is to play Wind Waker if you've never tried this franchise before. I understand the WiiU version, which contains some graphical enhancements and gameplay tweaks, is the definitive version of the Wind Waker. But for "game connoisseurs" and people who have somehow otherwise missed out on playing OoT and are interested, it is one of my all time favorite games. I actually haven't played the 3DS remake of Ocarina of Time, so I can't speak for its quality, but I hear good things. I'm not really interested in playing OoT on a handheld and while the enhanced graphics look beautiful, they also clash with all of the great memories I have of playing the original version. And while I admit there's a great amount of nostalgia tied to my Ocarina of Time love, I am still confident in saying it is one of the greatest video games ever made.

Final Fantasy VII

Squaresoft - 1997 - PC/PS1

(On my Top 10 Favorite Games list)

See Also My Top 10 Final Fantasy Games List

I actually played Final Fantasy 7 for the first time several years after it was released. A friend of mine gave me both the FF7 and FF8 discs at the same time. I initially decided to play FF8 as it was the newer and more graphically realistic of the two games. FF7's blocky and cartoony graphics initially turned me off and I didn't get around to playing through it until after I finished FF8. I liked FF8 well enough at the time, but it wasn't until I went back and played through FF7 that I realized how superior of a game Final Fantasy 7 is. It taught me an important lesson that I still think about when playing games now: graphics are just not as important as good gameplay and an interesting story

Final Fantasy 7 was the first game in the series released on the PS1 and was also the first game in the series to not appear on a Nintendo console. More importantly, it is also the game that is credited with popularizing the Japanese role playing game genre for western audiences. It is also the first game in the Final Fantasy series to fully embrace a futuristic sci-fi setting as opposed to the Tolkien-esque fantasy settings found in the previous games. Earlier games in the series had some futuristic and science fiction elements, but Final Fantasy 7 really embraced this aesthetic and fully built its characters and setting around it

Final Fantasy 7 follows the story of Cloud Strife, an amnesiac mercenary who joins a band of freedom fighters who call themselves Avalanche and are trying to stop the money-loving Shinra corporation from installing environment polluting "mako reactors" across the planet. The first part of the game deals with the Avalanche vs. Shinra conflict, but then the game and story really opens up as you begin to uncover the details of Cloud's past, his lost memories and how a mysterious man known as Sephiroth ties in to the story. You'll also of course explore the backstory to all of your party members, who are all well written and interesting characters. It's a truly gripping and mysterious story that had me hooked from the beginning and kept me interested to the end. It's a difficult game to put down because if whatever's happening in the story doesn't hold your attention, the addicting and well designed battle system probably will.

Just like any other entry in the Final Fantasy series, the battle system in FF7 is completely unique, but I believe this is my favorite battle system found in any of the Final Fantasy games. This battle system allows for a high degree of character customization through the new "materia" system. In the game, materia are basically little magic jewels that characters can equip on their weapons and armor to grant additional stat bonuses or new abilities. For instance, if you want a party member to learn a fire spell, you simply place the "fire" materia into one of the materia slots on that character's weapon or armor. What makes this system interesting is that some materia can be paired together. For example, if you wanted to be able to cast fire on all enemies at once, you can pair a "fire" materia with an "all" materia, assuming you have both. Players have to make some fun strategic decisions when building out their party as some weapons may be statistically better, but have fewer materia slots. Further adding to the strategic complexity of this system is that materia can gain experience and level up, granting you further statistical bonuses or more powerful spells. Another smart piece of game design is that some weapons and armors can increase the growth rate of the materia, but at the cost of fewer total materia slots. It's an excellent battle system that forces the player to think carefully about their party's build.

Adding to the perfect harmony of excellent gameplay and well-told story is the masterfully composed soundtrack. I know I've said it before, but Nobou Uematsu is a genius. The PS1 sound chip makes the tracks sound very MIDI-ish, but pay attention to the composition of the pieces. It's genius. Even more mind blowing is the crazy musical variety found in each track. There's the sleazy "Oppressed People", the dark and beautiful "Anxious Heart", the playful carnival-like "Gold Saucer", the nightmarish "Those Chosen by the Planet" and of course, the rockin' boss battle anthem "Those who Fight Further". But really, the whole soundtrack is totally amazing from top to bottom. Give it a listen if you're into video game music

Final Fantasy VII Video Review:

Summary:
Final Fantasy 7 is a masterpiece of a game. It's a perfect blend of engaging story, smart game design and a top-notch soundtrack. I've tried many times to recreate the experience of playing FF7 for the first time be trying various other Japanese role playing games, but none can quite recapture the brilliance of FF7. It's a must-play for fans of RPGs with great storytelling, don't let the blocky graphics scare you off. Speaking of which, I'd love to see that FF7 HD remake sometime in my lifetime

Mass Effect 2

BioWare (EA) - 2010 - PC/X360/PS3

(On my Top 10 Favorite Games list)

I initially thought it would be a neat idea to close out this year and the month of December by doing a countdown of my all-time favorite games and writing reviews for them. But then I realized that I had already done reviews for some of my all-time favorite games like Project M, Minecraft, and Paper Mario: The Thousand Year Door. So while this isn't truly a countdown of my favorite games, the games I write about this month are still very important to me and I have replayed all of them many times. 

The first BioWare game I ever played was Knights of the Old Republic. I admittedly picked it up mostly cause, you know, it's Star Wars! But I actually thought it was mostly a pretty good game. Then Mass Effect came out. I freaking LOVED the first Mass Effect game. Even without the Star Wars license, it was an undeniable improvement over KOTOR in every way. It had a much more interesting and engaging combat system, it had more impactful narrative decision making, and it had more interesting characters and better told story. But maybe most important of all is that the in-game world felt so real and immersive. It had massive lore and backstory and I could read as much or as little about all of the locations and technologies as I wanted. The voice acting and writing was excellent and the game pulled off humor and sarcasm better than most other games at the time. Plus the game looked (and still looks) pretty darn impressive.

Mass Effect 2 is all of these things and more. I believe it to be the epitome of the Mass Effect franchise. ME3 is a good game too, but it didn't feel as refined or complete of a game as ME2. It seemed like one of the design goals of ME2 was to trim a lot of the excess fat that was present in the first Mass Effect. Gone are the clunky vehicle sections. Gone are the annoying canisters of useless extra weapons and armor that you trip over every 5 steps. But returning is the excellent writing and character design. The crewmates on the ship were so varied and interesting, even more so than ME1. Arguably the least interesting characters were the ones that returned from the first game which isn't so much a slight of the first game as much as it is a compliment to the excellent character design of the second. I loved that you also got to see some of the impact of the decisions you made in the first game. It's also a nice reminder that the impact of a lot of the important decisions you make in ME2 will be felt in the next game. Or at least felt at the end of ME2.

Perhaps the most notable improvement in Mass Effect 2 is the combat system. Combat in the first game was somewhat clunky and awkward. It was sometimes hard to tell if you were actually hitting your target and shots tended to clip into invisible barriers or sometimes seem to miss for no reason at all. The combat in ME2 is much more polished and visceral. You KNOW when you get a kill and it feels satisfying. My favorite change in the combat system is with the different weapon types. It's much more rare when you acquire a new weapon, so it feels more exciting. And it's not simply a binary "Is this gun better or worse?" like in ME1. The weapons are all different and have varied strengths and weaknesses. They all play and feel fundamentally differently with different reload speeds, ammo clip sizes, range, and also varied damage and accuracy. You have to play around with the weapons a little to see which one best suits your playstyle. And I love that. Also the excellent level design in ME2 facilitates constant changing of weapons. Some levels are close quarters with lots of short hallways that are perfect for strong shotguns while others can be long, open courtyards perfect for sniper rifles. And the refined abilities and powers are a nice added touch that separates Mass Effect from other action-shooter games. 

While the refinements to the combat system are nice, the real reason I come to ME2 is to get my story on. I loved the darker or at least somewhat more mysterious themes of ME2. I liked that Commander Shepard was no longer a pawn of the Alliance, but was a renegade in league with Cerberus who were villains in the previous game. Sure, Shepard sort of takes orders from the mysterious "Elusive Man" throughout the game, but you're always free to pick your own destinations on the map and unfold the story at your own pace. It gives the game a more open-ended "explore the galaxy on your own terms" kind of feel. The game seems thematically closer to Star Trek than Star Wars which is ironic considering the development team's pedigree. But I loved exploring and discovering the game world in ME2 and the set pieces are all so well written and memorable. Especially at the end of the game. I won't spoil what happens for those who still haven't played it, but ME2 nicely and meaningfully wraps up all of the choices and decisions you've made in the game up to that point. And it does it in a way that is both exciting and memorable.

Mass Effect 2 Video Review:

Summary:

Mass Effect 2 is a great example of a perfect marriage between excellent gameplay and storytelling. It's an excellent sequel that refines everything that was good about the first game in the series and trims out everything else that was not. It should be a must-play game for fans of shooters and fans of great storytelling alike

Depression Quest

Zoe Quinn - 2013 - PC

Depression Quest is a game that makes me really excited about where the medium of video games is now and direction it's going in the future. Depression Quest is an interactive educational simulation about living with depression. It attempts to use game mechanics to communicate to the player what living with depression feels like. The mechanics are simple and certainly nothing revolutionary. But what makes me excited about this game is that to me it serves as an indicator that the medium of video games is maturing to a point where games can start to cover serious topics like this and tell deeply personal stories.

The game of Depression Quest is basically a text-only roleplaying experience that repeatedly presents you with a scenario and then offers you several choices of how to deal with a the presented scenario. For instance, your in-game girlfriend may call you up and ask you if you'd like to attend a birthday party. You're then given several choices like "attend" or "politely decline" or "say you're not feeling well" or something like that. The catch is that while you can see all of the options, the ones you can actually select are almost always limited based on how depressed you're feeling. There's a few blurbs of text near the bottom of the screen which essentially serve as your "depression meter" and as you get better or worse, more or fewer options are available to you. As far as a simulation of depression goes, it was pretty effective. Sometimes you can see the option you'd really like to choose, but you just can't pick it, which is kind of frustrating.

The game states that its authors have personally struggled with depression before which makes Depression Quest's story feel very authentic. Now I'm not sure if it was the quality of the writing or how personal it felt, but I was alarmed at how many times the writing really struck a chord and resonated with me. There were many times where I was like "Oh wow, I think that to myself all the time". Again, I've never struggled with the serious, deep kind of depression this game is about, but those thoughts I had were a testament to how relatable the writing is even to someone who doesn't know much about the subject matter.

Summary:
As someone who has never personally dealt with depression before, this game was a very educational tool for me and I'm very glad that this game exists. I hope it helps to raise awareness of what exactly depression is and how the people suffering from it can feel limited in their lives. I also hope that this can influence more developers to make more really personal experiences like this game. It's probably less than an hour long, but it's totally free and I'd recommend it to anyone looking for a personal game or anyone who would like to try to roleplay what it's like to live life with depression